any classical or medieval sense. Novel, an invented prose narrative of considerable length and a thesis pages per day certain complexity that deals imaginatively with human experience, usually through a connected sequence of events involving a group of persons in a specific setting. Alternately, you may wish to argue how the novel would have been different if one or more of the narrators was not present in the text. The detailed working out of the nuclear idea requires much ingenuity, since the plot of one novel is expected to be somewhat different from that of another, and there are very few basic human situations for the novelist to draw upon. The term novel is a truncation of the Italian word novella (from the plural of Latin novellus, a late variant of novus, meaning new so that what is now, in most languages, a diminutive denotes historically the parent form. The shattering of the eponymous golden bowl in Henry Jamess 1904 novel makes palpable, and hence truly symbolic, the collapse of a relationship. Consider all of the elements that comprise a storyincluding setting, character development, narrative voice, tone, to name just a fewand explain how each element contributes to the novels identity as a Gothic text or example. Marcel Proust s great roman-fleuve, À la recherche du temps perdu (191327; Remembrance of Things Past has a metaphysical framework derived from the time theories of the philosopher Henri Bergson, and it moves toward a moment of truth that is intended to be literally. And it is possible to descry a tendency to triviality in the form itself. This is the technique of the unreliable observer.
Most of them are unreliable, and some of them approach the impersonality of a sort of disembodied parody. This may be seen as a transitory protest against the long predominance of character in the novel, but, even on the popular level, there have been indications that readers can be held by things as much as by characters. The seismic demographic change that occurred in Ireland in the aftermath of the Famine is starkly evident in the census numbers. For the emigrants who found themselves scattered across the globe, the cultural memory of this seismic demographic movement would become central to the creation of a diasporic ethnic identity. The most memorable character in Petronius is a nouveau riche vulgarian; the hero of Lucius Apuleius is turned into a donkey; nothing less epic can well be imagined. Boccaccios, decameron, each of which exemplifies the etymology well enough. The epistolary method, most notably used by Samuel Richardson in Pamela (1740) and by Jean-Jacques Rousseau in La nouvelle Hélose (1761 has the advantage of allowing the characters to tell the story in their own words, but it is hard to resist the uneasy feeling. XXV, but, beloved and sacred spot, Nought of thee shall be forgot, Till what I am nowis not. The medieval chivalric romance (from a popular Latin word, probably Romanice, meaning written in the vernacular, not in traditional Latin) restored a kind of epic view of manthough now as heroic Christian, not heroic pagan. But both the higher and the lower orders of novel readers might agree in condemning a lack of memorability in the personages of a work of fiction, a failure on the part of the author to seem to add to the readers stock of remembered.